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Meet the Designer Behind Sasha Velour’s

Since the RuPaul’s Drag Race Season 9 finale noticed Sasha Velour sashay away with the crown, the New York queen will, truly, move down in her story as one of the maximum fashion-ahead competitors to grace RuPaul’s show. Saving the pleasant for remaining, she arrived at the premiere in a cobalt gown with a corresponding Queen Elizabeth-Esque ruff. She cinched the very last lip-sync with a tear-away lace and pearl masks. Sasha Velour Snatched Her Own Wig & All of Ours inside the Process.

But in the back of every extraordinary drag queen—shop for folks who can honestly stitch—is an equally suitable seamstress, and Diego Montoya is the artist standing at the back of the reigning queen. Born in Peru, developing up in Miami, and now calling Brooklyn his home, Montoya is a visual artist first and most important, making use of recycled gadgets to create large-than-existence costumes and installations. Creating works for shops, galleries, and queer performers alike, his approach to beauty is similarly progressive and subversive.

Montoya worked closely with Sasha to create her finale, basing the blue and white most reliable outfit on Lucy Westenra in Francis Ford Coppola’s 1992 movie Dracula. Originally designed to be in sun shades of vivid red for a regal vampire vibe, the outfit had to be speedily redesigned as the duo observed queens had been barred from wearing crimson with worries they may blend with the degree units.

“We had to rethink everything which and into disheartening, as we had been already so invested in this vivid red vampire fantasy,” Montoya says. “But in hindsight, I’m so glad this twist got here up because it spread out the opportunity to do something extra unexpected. The cobalt blue and white palette that we ended up going changed into stimulated through Russian porcelain, which becomes a reference to Sasha’s Russian heritage. The final appearance: bride-of-Dracula-meets-Faberge-egg-meets-drag-pope.”

Meet the Designer Behind Sasha Velour's 3

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And on to the pièce de résistance: that iconic tear-away masks. “The all-white masks look turned into a faster system,” Montoya says. “We best found out that we might need to produce an additional performance appearance a few days earlier than taping. The idea for this appearance becomes that same Faberge egg reference but in the destiny. Future Egg Queen.” Montoya notes the mask changed into designed to crack open like an egg, revealing Sasha’s photograph pink lips and openly bald head. “I wanted her to appear absolutely regal, however, additionally absolutely aggressive, like a futuristic drag monster.”

For the ones familiar with Montoya’s paintings, his mask is perhaps his signature. They are the faces of fever dreams, jutting from each direction with adornments and gadgets. So it’s hard to say that Sasha’s mask, in particular, becomes lots of stretches. “With the mask I create, they conceal the face completely; that’s the issue we normally look to when determining what’s attractive or the tone of something,” he says. “Without seeing a facial feature—the look in someone’s eyes—we are compelled to don’t forget other things… I think it opens up new thoughts.”

For greater of Montoya’s paintings, visit DiegoLovesYou.Com.

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